how to add a cross dissolve in premiere pro 2.0

Basically you can edit in up to film resolution. and edit 2K and 4K files along with uncompressed HD, with real-time secondary CC. The DS can handle DI files formats like DPX, Cineon, etc.

Nitris is the I/O breakout system for Avid/DS and Symphony editors. Quote: Forgive me if this question is a bit on the ignorant side, but what exactly is the difference of finishing on an Avid Nitris system for example rather than with express pro HD? Is it just for the final delivery format?īig big differences. The big problem with avid for us in europe is the lack of hd/framerate support in Xpress, no support for 720p25/50 yet I'm currently using Xpress Pro with Digital Film tools and magicbullet, and Sonic Dvdit/Adobe Encore for the dvd stuff and edit mostly DV. The interface and learning curve is quite steep, but when into it you will be able to work FAST! Iæm pretty shure i edit almost 50% faster in Xpress than i did in Avid Liquid.Īnd with Avid it's very much the editing software does what it's supposed to do, an nothing else fancy, the impression I have is: Edit in xpress/composer, finish in Symphony and Protools, for the High end productions.Īlthough you have the AVX to add for example the Digital Film Tools effects or Magic bullet for use in Xpress. Oh yes, Avid is 'all' about media managment, its rock solid. But I have heard excellent things on PPro and the way it integrates with the other Adobe apps is touted very highly.

The strength of Avid over most other editing software is media management.

How to add a cross dissolve in premiere pro 2.0